Friday, December 2, 2011

Experimental Helmet Looks More Like Star Wars than WWI

WWI Model 8 steel helmet with visor
in the collection of Peter Suciu.
When I saw a picture of this helmet, I immediately thought of Star Wars rather than World War I but when I read the article I discovered this helmet was one of dozens of steel helmets that were tested for the U. S. military in World War I.

"The Ford Motor Company began production of the Model 8 in November 1918, completing about 1,300 helmets. It featured a three-pad liner system similar to the one found in the Model 2. The benefits of this helmet were that with the visor down it does protect the face almost entirely, while the slits would provide reasonable field of view. Arriving just as the Armistice was signed, the Model 8 never saw combat service in France." - American military helmets of WWI, Military Trader, November 30, 2011
Major Bashford Dean, the father of the 
American steel helmet.  Photo by Chris 
Arnold.


 One of the key designers behind these experimental helmets was actually a zoologist, Dr. Bashford Dean who also had an interest in arms and armor. His expertise in medieval arms and armor led to his appointment as curator of the arms and armor collection at the Metropolitan Museum of Art in New York City. I have had the privilege of photographing the arms and armor collection at the Met and it is one of the most spectacular collections of armor I have ever seen although the collections at the Philadelphia Museum of Art and the Tower of London are impressive as well. One day I hope to return to England and photograph the arms and armor collection at Leeds (I'm especially interested in the Mughal elephant armor!) and the Imperial War Museum in London too.

I highly recommend the article referenced and linked above.  It is not only comprehensive but includes more illustrations of other experimental helmets developed during the early 20th century.
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Monday, October 3, 2011

Heritage Center's Civil War Collections to open in Philadelphia October 15

The Union League building on S. Broad St. in C...Image via Wikipedia
THE UNION LEAGUE BUILDING ON S. BROAD ST
. IN CENTER CITY PHILADELPHIA, PENNSYLVANIA
The Sir John Templeton Heritage Center, an 8,500-square-foot facility off of Broad Street in Philadelphia, will open its prestigious collections of Civil War books and period manuscripts to the public on October 15.

"The Heritage Center will be presenting a series of five rotating exhibits which will focus on the Philadelphia home front in the Civil War. The first, on display now, is Philadelphia 1861: The Coming Storm. Its focus is the city on the brink of war and during the months immediately following the attack on Fort Sumter. The exhibit’s main storylines are: the election of 1860; the divisions among Philadelphians, supporters of the Union, and Southern sympathizers; Lincoln’s visit to Philadelphia on February 22, 1861; and the city’s response to the Confederate attack on Fort Sumter. The exhibit will continue through December 2011." - The Heritage Center
The Heritage Center is also home to the Union League of Philadelphia’s three charitable foundations: Youth Work, Scholarship, and Abraham Lincoln.  These organizations, supported by League members, serve the community by educating the public about our nation’s history, recognizing student role models in the region’s high schools, and providing scholarships to deserving students.

The Heritage Center will be open to the public, free of charge, on Tuesday and Thursday afternoons from 3:00- 6:00PM and the second Saturday of each month from 1:00-4:00PM.
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Saturday, September 24, 2011

Last WWII Battleship USS Iowa to become museum in Los Angeles

When the USS Missouri stopped in Astoria, Oregon before leaving for its permanent home in Pearl Harbor, Hawaii, I was able to walk around her decks and peer amazed at her behemoth guns.  Now I see that the last WWII battleship, the USS Iowa, will make its way to Los Angeles where it, too, will become a museum and memorial.


The USS Iowa — the last surviving World War II battleship without a home — will head to the Port of Los Angeles to stand as a permanent museum and memorial to battleships, the Navy said Sept. 6.
 The 45,000-ton ship, which towers 15 stories above the water line, engaged in battles in the Pacific theater during World War II and entered Tokyo Bay with the occupation forces in 1945 where it served as Admiral William F. Halsey’s flagship for the surrender ceremony. The battleship later served off Korea’s eastern shores during that conflict.
 In 1989, the USS Iowa suffered one of the nation’s deadliest military accidents after 47 sailors were killed in an explosion during a training exercise. Before being decommissioned in 1990, it served as an escort for oil tankers in the Persian Gulf.
The Iowa was towed to San Francisco from Rhode Island in 2001, after Sen. Dianne Feinstein of California helped secure $3 million to bring it to San Francisco in hopes of making it a tourist attraction at Fisherman’s Wharf. - More: MilitaryTrader.com
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Sunday, March 6, 2011

Shelby Foote's research collections to be digitized by Rhodes College

North Carolina Monument at Gettysburg National...Image by mharrsch via Flickr
The North Carolina Monument at
Gettysburg National Battlefield
I recently received information that Rhodes College has acquired the 2,350-volume book collection, 
personal papers and diaries, handwritten book drafts and maps, and memorabilia of famed novelist and Civil War historian Shelby Dade Foote Jr. (1916-2005).


Shelby Foote was born in GreenvilleMiss., in 1916 and was raised by his mother after his father died. An only child, Foote took an interest in reading. When he was a student at the University of North Carolina at Chapel Hill, he contributed fiction pieces to the school’s literary journal. After serving in the Army in World War II, he held various jobs, including a stint as a reporter. Foote's first novel, Tournament, was published in 1949, and works that followed include Follow Me Down,  Love in a Dry Season, ShilohJordan County: A Landscape in Narrative and  September, September, which is set during the 1957 integration of Little Rock's Central High School. In 1951, what began as a Random House proposal for a short account of the Civil War turned into the more than a million and a half words of The Civil War: A Narrative that took Foote 20 years to write and carries readers from Fort Sumter to Appomatox.
In the late 1980s, writer Robert Penn Warren recommended Foote to filmmaker Ken Burns who was planning his television documentary on the war. Burns and crew interviewed Foote, and after the 11-hour series aired on PBS in 1990, Foote gained national celebrity.

As one YouTube viewer noted, it's just a pleasure to listen to this wonderful historian.



Some of the materials included in this priceless legacy include:
Shelby Foote’s Personal Library
The book collection, which includes approximately 2,350 volumes, is made up mostly of works of classic literature—everything from Greek tragedies to contemporary Southern writers—as well as works of literary interpretation, American history (particularly the history of the South and Civil War) and European history. Of particular note are the rare, signed and/or inscribed first-edition novels by Shelby Foote, William Faulkner, Walker Percy and Eudora Welty.

Shelby Foote’s Personal Papers
The papers include handwritten and typed drafts and notes for Foote’s novels, essays, short stories, screenplays, speeches, lectures and his most famous work, The Civil War: A Narrative. Correspondents include friends, associates and family members. Letters from presidents, U.S. senators, governors and other leading figures (Walker Percy, Cormac McCarthy, Allen Tate, Willie Morris, David McCullough and Ken Burns, among others) are also included. There are decades of personal diaries, memo books and calendars, along with a large collection of hand-drawn maps, photographs, magazines and other memorabilia.

Shelby Foote’s Personal Artifacts
Among the personal artifacts is a large collection of classical music (scores, LP records, cassettes and compact discs), as well as various military artifacts, sculptures, figurines, drawings, prints and posters. Also included are numerous awards and plaques that Shelby Foote received throughout his lifetime.
The Shelby Foote Collection will be housed in the 136,000-square-foot Paul Barret, Jr. Library on the Rhodes College campus.  I understand a number of items will be digitized and made available online as well!

The Civil War: A Narrative--Fort Sumter to Perryville, Vol. 1   The Civil War: A Narrative: Volume 2: Fredericksburg to Meridian   The Civil War: A Narrative, Vol. 3 Red River to Appomattox   The Civil War - A Film by Ken Burns

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Tuesday, February 15, 2011

Civil War items slated for auction Feb 19 (2011)

Frock Coat

I received a notice of an upcoming auction that will include a number of American Civil War items in excellent condition.  The auction will be held at  Fontaine's gallery facility, located at 1485 West Housatonic Street in Pittsfield, MA. 

The  Civil War session will be chock full of offerings, beginning with some
very sharp frocks and jackets. These will include a circa-1860 U.S. New
York Regiment militia frock coat, enlisted man's gray with seven large
New York state buttons down the front; a New York State 71st Regiment
swallow-tailed full-dress dark blue jacket with a row of nine eagle
buttons down the front; and a U.S. Louisville Legion-style wool frock
coat, dark blue, with five Ohio buttons.
  
Revolvers  and pistols will feature a wonderful cased pair of Durs Egg percussion
dueling pistols, .62 caliber, with 5 ½ inch octagonal barrels; a
magnificent engraved and gold-filled Colt Model 1860 Army revolver in
excellent condition and with all matching numbers; and a matched pair of
circa-1812 flintlock sea service pistols, .69 caliber, with 9.25-inch
barrels, needing repair.
  
Sword enthusiasts will not be disappointed. Two examples in particular will
pique the interest of the crowd. One is a Model 1862 Infantry
presentation sword with a 30-inch blade in near-mint condition and a
tight leather handle; the other is an Ames Model 1832 artillery short
sword with scabbard, signed and dated (1835) on the blade. Both could
command up to $2,500.
  
Also  to be offered in Session Two: a Model 1861 U.S. percussion rifle-musket
made in 1864 and with papers from the New York Militia; a metal-bodied
Queen's Lancer drum, 10 ½ inches high by 15 ½ inches wide, colorful and
complete with two drumsticks; and a hand-made Confederate leather belt
with buckle (the "E Pluribus Unum" is upside-down) and cartridge box.

Monday, December 20, 2010

Art of the American Soldier Exhibit Extended Thru March

I received notice this morning that the "Art of the American Soldier" exhibit at Constitution Center in Philadelphia has been extended through March 31.  This exhibit presents paintings and drawings created by American soldiers while serving in theaters of war from the fields of World War I to the present day conflicts in Iraq and Afghanistan.

The website of the exhibit presents the art on an interactive timeline where you can scroll through the decades, viewing the images and listening to a montage of newscasts and music from the era.

 This image of a WWI machine gunner was produced in 1918 by Captain Harvey Dunn, a combat artist assigned to the American Expeditionary Forces in France. 

In 1917, the American military designated "official war artists" who were sent to Europe to record the activities of American Forces there and like many of them, Captain Harvey Dunn was formally trained.  Dunn had studied at the Chicago Art Institute then later under the famed adventure novel illustrator Howard Pyle.

"Unlike the objective camera lens that records the single instant and no more, the artist not only captures instantaneous action, but can fuse earlier moments of the same scene into a compelling image. Observation, insight, elimination of confusing detail, and focusing on the essential can all be compassed by the artist's eye." - U.S. Navy Combat Art Program

The Navy's Combat Art Program was officially founded in 1941 after  muralist Griffith Baily Coale, convinced the Navy's top brass of the importance of having competent artists on the battlefields to record the history that was taking place. Not to be outdone, the Army established a War Art Unit in late 1942.  The War Art Advisory Committee selected 23 active duty military and 19 civilian artists to work in the program.

But in May 1943 Congress withdrew funding from the program and the War Art Unit was inactivated. 

The effort to create a visual record of the American military experience in World War II was then taken up by the private sector in two different programs, one by Life magazine and one by Abbott Laboratories, a large medical supply company. When Life offered to employ civilian artists as was correspondents, the War Department agreed to provide them the same support already being given to print and film correspondents. Seventeen of nineteen civilians artists who had been selected by the War Art Committee joined Life as war correspondents. A deal was struck between, then editor of Life, Daniel Longwell and the Secretary of War for the artists to receive the same treatment as news correspondents.[1] Abbott, in coordination with the Army's Office of the Surgeon General, commissioned twelve artists to record the work of the Army Medical Corps. These two programs resulted in a wide range of work by distinguished artists who had the opportunity to observe the war firsthand." - The United States Army Art Program, Wikipedia



The Navy Combat Art Program was revived with two military artists in the Korean War and in the Vietnam era the program operated with civilian artists in cooperation with the Salmagundi Club. The Navy also began sending artists to cover a broader array of naval activities in addition to combat. Following the merger of the Navy Combat Art Program with the Naval Historical Center, artists have been sent to the Persian Gulf and Desert Shield/Storm. - Naval History and Heritage Command

Since my husband served as a combat engineer during the Vietnam War and has often told me how getting enough sleep was a daily challenge between sweeping roads for mines all day then standing guard half the night, I was particularly drawn to this image entitled "The Waiting Game" by Sp6 Kenneth J. Scowcroft depicting two exhausted members of the 4th Infantry Division near the flight line at the heliport on Dragon Mountain in Plieku, Vietnam .  I think my husband would have titled it "Catching ZZZZsss!" though.

If you're going to be in the Philadelphia area before the end of March, I would urge you to stop by Constitution Center and view these images that capture the sacrifice our young men and women have made over the last 100 years.  If you can't make it in person, I recommend visiting the website and viewing the online gallery.  The art truly depicts the human dimension of war "in a way no photograph or newsreel ever could!"
   Drawing Fire: Vietnam Through the Eyes of a Combat Artist   Portrait of War: The U.S. Army's First Combat Artists and the Doughboys' Experience in WWI    They Drew Fire - Combat Artists World War II   Drawing Fire: A Combat Artist at War : Pacific Europe Korea Indochina Vietnam 
War Diary of a Combat Artist
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Monday, December 13, 2010

Custer Portrait Vases sell for more than $50,000

Today I received a notice from Heritage Auction Galleries about their recent auction of a pair of hand painted porcelain vases with portraits of George Armstrong Custer and his wife Libby.

In July of 1865 Custer and his young bride traveled to New Orleans, where they visited the studio of the highly regarded photographer and portrait artist R. T. Lux. There they were photographed by Lux, and the tintype images he retained were used to paint these remarkably life-like portraits. The vases are of baluster form, measuring 11" in height, and adorned with bouquets of pink roses bound in blue ribbons. Each is dated "July 1865," and signed "R.T. Lux, N.O." Lux's work is highly collectable today, and this magnificent pair must surely be considered among the most desirable examples. Pictured on page 72 of Lawrence Frost's important book, The Custer Album, they are among the most recognizable of Custer artifacts. When Butterfield & Butterfield auctioned a number of important Custer relics on behalf of the family, the vase depicting Custer was featured on the catalog's cover. The pair was sold at Butterfield's in 1995, where they fetched $46,750. The original Lux tintype of Custer, featuring the exact same portrait seen on the painted vase, was auctioned by the Custer family at the same time, but unfortunately not together with the vases. - Heritage Auction Galleries
George Armstrong Custer and Elizabeth Bacon Cu...Image via Wikipedia
George Armstrong Custer and Elizabeth Bacon Custer
between 1860 and 1865.  Courtesy of the Library of
Congress.
I found a copy of a portrait of the couple from the Library of Congress for comparison.  Although Libby is wearing a similar dress, George's hair is much shorter than in the vase portrait.  However, the vase portraits' resemblance to the couple's facial details in the photograph is striking.


If you visit the Heritage Auction Gallery website and set up a free account, you can view wonderful enlarged images of these portraits as well as other historical collectibles that are either being offered for sale or have been sold in the past including firearms, military paper ephemera (military manuals, discharge papers, orders, letters, etc), uniforms, flags, cannon, bladed weapons, tintypes, etc.  What a treasure trove of information all freely available if you just set up a free  account!  You can browse online catalogs of both past and upcoming auctions and they publish a beautifully illustrated magazine that may be read online or requested in print at no charge.

Earlier this month, the only U.S. flag not captured or lost during Custer's Last Stand at the Battle of Little Bighorn sold at auction for $2.2 million. 

The Culbertson Guidon from the 1876
Battle of the Little Bighorn.  Image
courtesy of Sotheby's
Of the five guidons [flags with a distinctive swallow-tailed shape] carried by Custer's battalion only one was immediately recovered, from beneath the body of a fallen trooper.

According to testimonials from Indians involved in the fight, the trooper, Cpl. John Foley, was attempting to escape on horseback — and had almost succeeded — when he shot himself in the head. All the other flags under Custer's command were believed captured by the victorious Indians.

The recovered flag later became known as the Culbertson Guidon, after the member of the burial party who recovered it, Sgt. Ferdinand Culbertson. Made of silk, it measures 33 inches by 27 inches, and features 34 gold stars. - Matthew Brown, Associated Press
 
The Last Stand: Custer, Sitting Bull, and the Battle of the Little Bighorn   A Terrible Glory: Custer and the Little Bighorn - the Last Great Battle of the American West   Crazy Horse and Custer: The Parallel Lives of Two American Warriors   Lakota Noon: The Indian Narrative of Custer's Defeat   They Died With Custer: Soldiers' Bones from the Battle of the Little Bighorn   Archaeology, History, and Custer's Last Battle: The Little Big Horn Re-examined   Custer and the Little Bighorn: The Man, The Mystery, The Myth  My Life on the Plains (Military History)
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